* Responsible for architecting and maintaining multiple well tested cinema applications, and their ecosystem, while collaborating with clients for continued improvement.
* I led a small team in replacing business critical third party software with internal libraries.
* Championed the creation of asset tracking microservices for cinema assets in Amazon Web Services to increase production speed.
* Created custom software deployment, and package management system.
* Sole engineer responsible for full support of many services, libraries, scripts, APIs, CLIs, etc.
* Maintained and contributed to multiple private and open source libraries.
* Contributed to multiple teams cloud based APIs.
* Handled the transition between OAuth2 providers to align applications with the company environment.
* Contributed to multiple open source libraries.
No description available.
No description available.
* Designed cloud based, full stack visual effects pipeline in an Agile startup environment.
* Created pages, views, and routers using Backbone.js, bootstrap, and underscore.
* Created RESTful API for use with web and desktop application using Flask.
* Designed MongoDB models using the Python wrapper mongoengine.
* Cross platform PyQT based, multi-processing, file transfer application for S3 storage.
* Setup continuous integration, and license servers on EC2 instances.
* Created GUI for building complex Mongo queries for users, simplifying the developer's job of creating custom filters.
Created small asset management application with Python, and PyQt for artists. It's main functionality is for remote users to be able to transfer assets between their machines and the company's services while conforming to the pipeline.
As a TD I worked in every aspect of the pipeline. From handling ingestible materials, to troubleshooting artists' projects, to creating delivery systems for clients. Stereo D was unique in that it touches every frame of the films it works on. It's pipeline was specifically developed to handle the intricacies of stereo conversion.
Worked on Nuke pipeline integration for automated versioning, rendering, and asset management.
* Contributed to proprietary asset management and production tracking software.
* Created Python modules for centralizing file system logic and offloading file management to workstations.
* Created PyQt front end for asset management and production tracking software.
* Managed proprietary and third party software, and software deployment systems.
* Supported artists' workflows with tools, plugins, and scripts within third party software.
Films:
* Percy Jackson: Sea of Monsters
* The Wolverine
* R.I.P.D.
* Pacific Rim
* Star Trek Into Darkness
* Iron Man 3
* Jurassic Park 3D
* G.I. Joe: Retaliation
* Hansel and Gretel: Witch Hunters
* Katy Perry: Part of Me
* The Avengers
* Titanic 3D
* John Carter of Mars
* Abraham Lincoln: Vampire Hunter
Handled ingesting and quality control of visual effects vendor generated elements, optimized for stereoscopic conversion.
Managed custom Nuke python modules, and tools for the conversion process.
Films:
* Captain America: The First Avenger
* Thor
2.5D Painting for commercial
Set extensions, 2.5D textures, and matte paintings on multiple commercials.
Created environment elements for tv network promo series. Used Maya Fur, and Hair to create dynamic grass.
Worked on set extensions for Droid commercial
Stereoscopic conversion compositor
Work on paintings and textures for features. Software: Photoshop, Maya, Renderman.
I worked on Mattes and textures for features and commercials using Photoshop, Maya, and Renderman.